[{"id":8989183,"name":"Supa Emcees","trackName":"Supa Emcees","artistName":"De La Soul","albumName":"Stakes Is High","duration":220.0,"instrumental":false,"hasWordSync":false,"plainLyrics":"Woop woop, that's the sound of the poor\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nMan I'm on the set like the flicks so let your cameras flash\nA splash bigger than whales, I'm makin monsters mash\nSpit Pinnochio's Theory when shit be looking weary\nI need rest, but I boogie for now, I'm on some mess\nLike the best mics respond to me\nLiving days, like dreams of specializing in the art that pays\nI be a mystic for life, so check my ID number\nEmcees be kneading dough while I make bread like Wonder\nYes, that's what you heard, so save that acting for the screen\nSee you can can that madness with the beans\nI bust emcees like lies surprise em out the box\nPut away the soda pops I'd rather rum on the rocks\nA dime-getter tried to get what I got, for what?\nI guess other folks' cash makes the lovin' come phat\nBut I'm past alla that, it's time to break with the breeze\nGet to your knees, here comes the Supa Emcees\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nWithin this program of rap, I'll eradicate the glitches\nYo I'm dark like Wesley, but I be sparkin' more bitches\nEntering my constellation puts your lives in jep'\nWhile you others represent, I present my rep\nCause when it comes to making dents, I'm that main imprint\nEven smoked from blunts which give eyes the reddish tint\nCould not prevent, you from seeing I'm the light\nBut bring attention to my words like some ass in tights\nI heard you want to fight me, with your words on stage\nSo Mase pulls that instrumental from the jam you made\nAnd as he starts cutting what you sold, I'll talk all over your tones\nAs if my name was Pete Rock or Sean \"Puffy\" Combs\nSend your tattered ass home, with celly phones I roam\nWith my fleet, here to make this rap game complete\nWhile you live fables, unstable, acting very radical\nProjecting like you're hard, when in fact you're quite vaginal\n\nWhatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\n(Supa)(emcee)\n(Supa)(emcee)\n(Supa)\n(Emcee)\n(Supa) (emcee)\n(Supa) (emcee)\n(Supa) (emcee)\n(Supa)\n(Emcee)\n(Supa) (emcee)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa) (emcee)","syncedLyrics":"[00:00.00] That's the sound of the poor\n[00:06.63] (Emcee)\n[00:07.50] Hey, whatever happened to the (emcee)\n[00:10.42] Times done changed for the (emcee)\n[00:12.73] Every woman and man wanna (emcee)\n[00:15.14] But for what, I tell you (emcee)-ing ain't for you!\n[00:18.14] Hey, whatever happened to the (emcee)\n[00:20.61] Times done changed for the (emcee)\n[00:23.07] Every woman and man wanna (emcee)\n[00:25.68] But for what, I tell you (emcee)-ing ain't for you!\n[00:28.06] Man, I'm on the set like the flicks, so let your cameras flash\n[00:30.89] A splash bigger than whales, I'm makin' monsters mash\n[00:33.57] Spit Pinocchio's Theory when - be looking weary\n[00:36.25] I need rest, but I boogie for now, I'm on some mess\n[00:38.88] Like the best mics respond to me\n[00:40.94] Living days, like dreams of specializing in the art that pays\n[00:43.92] I be a mystic for life, so check my ID number\n[00:46.92] Emcees be needing dough while I make bread like Wonder\n[00:49.38] Yes, that's what you heard, so save that acting for the screen\n[00:52.17] See, you can can that madness with the beans\n[00:54.34] I bust emcees like lies, surprise 'em out the box\n[00:57.16] Put away the soda pops, I'd rather rum on the rocks\n[00:59.75] A dime-getter tried to get what I got, for what?\n[01:02.24] I guess other folks' cash makes the lovin' come phat\n[01:05.00] But I'm past all of that, it's time to break with the breeze\n[01:07.46] Get to your knees, here comes the Supa Emcees, emcees\n[01:10.21] Hey, whatever happened to the (emcee)\n[01:13.07] Times done changed for the (emcee)\n[01:15.34] Every woman and man wanna (emcee)\n[01:17.78] But for what, I tell you (emcee)-ing ain't for you!\n[01:20.71] Whatever happened to the (emcee)\n[01:23.25] Times done changed for the (emcee)\n[01:25.73] Every woman and man wanna (emcee)\n[01:28.12] But for what, I tell you (emcee)-ing ain't for you!\n[01:31.17] Super (emcee)\n[01:33.76] Super (emcee)\n[01:36.25] Super (emcee)\n[01:39.01] Super (emcee)\n[01:41.47] Super (emcee)\n[01:44.13] Super (emcee) (yes)\n[01:46.69] Super (emcee)\n[01:49.43] Super (emcee)\n[01:51.52] Within this program of rap, I'll eradicate the glitches\n[01:54.67] Yo, I'm dark like Wesley, but I be sparkin' more -\n[01:57.09] Entering my constellation puts your lives in jep'\n[01:59.60] While you others represent, I present my rep\n[02:02.21] 'Cause when it comes to making dents, I'm that main imprint\n[02:04.92] Even smoked from blunts which give eyes the reddish tint\n[02:07.42] Could not prevent you from seeing I'm the light\n[02:10.00] But bring attention to my words like some ass in tights\n[02:12.59] I heard you want to fight me, with your words on stage\n[02:15.16] So Mase pulls that instrumental from the jam you made\n[02:17.96] And as he starts cutting what you sold, I'll talk all over your tones\n[02:20.85] As if my name was Pete Rock or Sean \"Puffy\" Combs\n[02:23.31] Send your tattered ass home, with celly phones I roam\n[02:25.77] With my fleet, here to make this rap game complete\n[02:28.31] While you live fables, unstable, acting very radical\n[02:31.12] Projecting like you're hard, when in fact you're quite vaginal\n[02:33.94] Hey, whatever happened to the (emcee)\n[02:36.44] Times done changed for the (emcee)\n[02:38.61] Every woman and man wanna (emcee)\n[02:41.25] But for what, I tell you (emcee)-ing ain't for you!\n[02:44.08] Hey, whatever happened to the (emcee)\n[02:46.63] Times done changed for the (emcee)\n[02:49.17] Every woman and man wanna (emcee)\n[02:51.56] But for what, I tell you (emcee)-ing ain't for you!\n[02:54.79] Super (emcee)\n[02:57.22] Super (emcee)\n[02:59.76] Su-per (emcee)\n[03:02.37] Super (emcee) (come on)\n[03:04.95] Super (emcee) (Resident L.I.)\n[03:07.56] Super (emcee) (spittin' on high)\n[03:10.20] Super (emcee)\n[03:12.77] Super (emcee)\n[03:15.34] Super\n[03:17.80] Super\n[03:20.58] Su-per\n[03:23.16] Super\n[03:25.73] Super\n[03:28.30] Super\n[03:30.96] Su-per\n[03:33.52] Super\n[03:36.18] Super\n[03:38.72] Super\n[03:39.27] ","lyricsfile":"version: '1.0'\nmetadata:\n title: Supa Emcees\n artist: De La Soul\n album: Stakes Is High\n duration_ms: 220000\n instrumental: false\nlines:\n- text: That's the sound of the poor\n start_ms: 0\n end_ms: 6630\n- text: (Emcee)\n start_ms: 6630\n end_ms: 7500\n- text: Hey, whatever happened to the (emcee)\n start_ms: 7500\n end_ms: 10420\n- text: Times done changed for the (emcee)\n start_ms: 10420\n end_ms: 12730\n- text: Every woman and man wanna (emcee)\n start_ms: 12730\n end_ms: 15140\n- text: But for what, I tell you (emcee)-ing ain't for you!\n start_ms: 15140\n end_ms: 18140\n- text: Hey, whatever happened to the (emcee)\n start_ms: 18140\n end_ms: 20610\n- text: Times done changed for the (emcee)\n start_ms: 20610\n end_ms: 23070\n- text: Every woman and man wanna (emcee)\n start_ms: 23070\n end_ms: 25680\n- text: But for what, I tell you (emcee)-ing ain't for you!\n start_ms: 25680\n end_ms: 28060\n- text: Man, I'm on the set like the flicks, so let your cameras flash\n start_ms: 28060\n end_ms: 30890\n- text: A splash bigger than whales, I'm makin' monsters mash\n start_ms: 30890\n end_ms: 33570\n- text: Spit Pinocchio's Theory when - be looking weary\n start_ms: 33570\n end_ms: 36250\n- text: I need rest, but I boogie for now, I'm on some mess\n start_ms: 36250\n end_ms: 38880\n- text: Like the best mics respond to me\n start_ms: 38880\n end_ms: 40940\n- text: Living days, like dreams of specializing in the art that pays\n start_ms: 40940\n end_ms: 43920\n- text: I be a mystic for life, so check my ID number\n start_ms: 43920\n end_ms: 46920\n- text: Emcees be needing dough while I make bread like Wonder\n start_ms: 46920\n end_ms: 49380\n- text: Yes, that's what you heard, so save that acting for the screen\n start_ms: 49380\n end_ms: 52170\n- text: See, you can can that madness with the beans\n start_ms: 52170\n end_ms: 54340\n- text: I bust emcees like lies, surprise 'em out the box\n start_ms: 54340\n end_ms: 57160\n- text: Put away the soda pops, I'd rather rum on the rocks\n start_ms: 57160\n end_ms: 59750\n- text: A dime-getter tried to get what I got, for what?\n start_ms: 59750\n end_ms: 62240\n- text: I guess other folks' cash makes the lovin' come phat\n start_ms: 62240\n end_ms: 65000\n- text: But I'm past all of that, it's time to break with the breeze\n start_ms: 65000\n end_ms: 67460\n- text: Get to your knees, here comes the Supa Emcees, emcees\n start_ms: 67460\n end_ms: 70210\n- text: Hey, whatever happened to the (emcee)\n start_ms: 70210\n end_ms: 73070\n- text: Times done changed for the (emcee)\n start_ms: 73070\n end_ms: 75340\n- text: Every woman and man wanna (emcee)\n start_ms: 75340\n end_ms: 77780\n- text: But for what, I tell you (emcee)-ing ain't for you!\n start_ms: 77780\n end_ms: 80710\n- text: Whatever happened to the (emcee)\n start_ms: 80710\n end_ms: 83250\n- text: Times done changed for the (emcee)\n start_ms: 83250\n end_ms: 85730\n- text: Every woman and man wanna (emcee)\n start_ms: 85730\n end_ms: 88120\n- text: But for what, I tell you (emcee)-ing ain't for you!\n start_ms: 88120\n end_ms: 91170\n- text: Super (emcee)\n start_ms: 91170\n end_ms: 93760\n- text: Super (emcee)\n start_ms: 93760\n end_ms: 96250\n- text: Super (emcee)\n start_ms: 96250\n end_ms: 99010\n- text: Super (emcee)\n start_ms: 99010\n end_ms: 101470\n- text: Super (emcee)\n start_ms: 101470\n end_ms: 104130\n- text: Super (emcee) (yes)\n start_ms: 104130\n end_ms: 106690\n- text: Super (emcee)\n start_ms: 106690\n end_ms: 109430\n- text: Super (emcee)\n start_ms: 109430\n end_ms: 111520\n- text: Within this program of rap, I'll eradicate the glitches\n start_ms: 111520\n end_ms: 114670\n- text: Yo, I'm dark like Wesley, but I be sparkin' more -\n start_ms: 114670\n end_ms: 117090\n- text: Entering my constellation puts your lives in jep'\n start_ms: 117090\n end_ms: 119600\n- text: While you others represent, I present my rep\n start_ms: 119600\n end_ms: 122210\n- text: '''Cause when it comes to making dents, I''m that main imprint'\n start_ms: 122210\n end_ms: 124920\n- text: Even smoked from blunts which give eyes the reddish tint\n start_ms: 124920\n end_ms: 127420\n- text: Could not prevent you from seeing I'm the light\n start_ms: 127420\n end_ms: 130000\n- text: But bring attention to my words like some ass in tights\n start_ms: 130000\n end_ms: 132590\n- text: I heard you want to fight me, with your words on stage\n start_ms: 132590\n end_ms: 135160\n- text: So Mase pulls that instrumental from the jam you made\n start_ms: 135160\n end_ms: 137960\n- text: And as he starts cutting what you sold, I'll talk all over your tones\n start_ms: 137960\n end_ms: 140850\n- text: As if my name was Pete Rock or Sean \"Puffy\" Combs\n start_ms: 140850\n end_ms: 143310\n- text: Send your tattered ass home, with celly phones I roam\n start_ms: 143310\n end_ms: 145770\n- text: With my fleet, here to make this rap game complete\n start_ms: 145770\n end_ms: 148310\n- text: While you live fables, unstable, acting very radical\n start_ms: 148310\n end_ms: 151120\n- text: Projecting like you're hard, when in fact you're quite vaginal\n start_ms: 151120\n end_ms: 153940\n- text: Hey, whatever happened to the (emcee)\n start_ms: 153940\n end_ms: 156440\n- text: Times done changed for the (emcee)\n start_ms: 156440\n end_ms: 158610\n- text: Every woman and man wanna (emcee)\n start_ms: 158610\n end_ms: 161250\n- text: But for what, I tell you (emcee)-ing ain't for you!\n start_ms: 161250\n end_ms: 164080\n- text: Hey, whatever happened to the (emcee)\n start_ms: 164080\n end_ms: 166630\n- text: Times done changed for the (emcee)\n start_ms: 166630\n end_ms: 169170\n- text: Every woman and man wanna (emcee)\n start_ms: 169170\n end_ms: 171560\n- text: But for what, I tell you (emcee)-ing ain't for you!\n start_ms: 171560\n end_ms: 174790\n- text: Super (emcee)\n start_ms: 174790\n end_ms: 177220\n- text: Super (emcee)\n start_ms: 177220\n end_ms: 179760\n- text: Su-per (emcee)\n start_ms: 179760\n end_ms: 182370\n- text: Super (emcee) (come on)\n start_ms: 182370\n end_ms: 184950\n- text: Super (emcee) (Resident L.I.)\n start_ms: 184950\n end_ms: 187560\n- text: Super (emcee) (spittin' on high)\n start_ms: 187560\n end_ms: 190200\n- text: Super (emcee)\n start_ms: 190200\n end_ms: 192770\n- text: Super (emcee)\n start_ms: 192770\n end_ms: 195340\n- text: Super\n start_ms: 195340\n end_ms: 197800\n- text: Super\n start_ms: 197800\n end_ms: 200580\n- text: Su-per\n start_ms: 200580\n end_ms: 203160\n- text: Super\n start_ms: 203160\n end_ms: 205730\n- text: Super\n start_ms: 205730\n end_ms: 208300\n- text: Super\n start_ms: 208300\n end_ms: 210960\n- text: Su-per\n start_ms: 210960\n end_ms: 213520\n- text: Super\n start_ms: 213520\n end_ms: 216180\n- text: Super\n start_ms: 216180\n end_ms: 218720\n- text: Super\n start_ms: 218720\n end_ms: 219270\nplain: |-\n Woop woop, that's the sound of the poor\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Man I'm on the set like the flicks so let your cameras flash\n A splash bigger than whales, I'm makin monsters mash\n Spit Pinnochio's Theory when shit be looking weary\n I need rest, but I boogie for now, I'm on some mess\n Like the best mics respond to me\n Living days, like dreams of specializing in the art that pays\n I be a mystic for life, so check my ID number\n Emcees be kneading dough while I make bread like Wonder\n Yes, that's what you heard, so save that acting for the screen\n See you can can that madness with the beans\n I bust emcees like lies surprise em out the box\n Put away the soda pops I'd rather rum on the rocks\n A dime-getter tried to get what I got, for what?\n I guess other folks' cash makes the lovin' come phat\n But I'm past alla that, it's time to break with the breeze\n Get to your knees, here comes the Supa Emcees\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Within this program of rap, I'll eradicate the glitches\n Yo I'm dark like Wesley, but I be sparkin' more bitches\n Entering my constellation puts your lives in jep'\n While you others represent, I present my rep\n Cause when it comes to making dents, I'm that main imprint\n Even smoked from blunts which give eyes the reddish tint\n Could not prevent, you from seeing I'm the light\n But bring attention to my words like some ass in tights\n I heard you want to fight me, with your words on stage\n So Mase pulls that instrumental from the jam you made\n And as he starts cutting what you sold, I'll talk all over your tones\n As if my name was Pete Rock or Sean \"Puffy\" Combs\n Send your tattered ass home, with celly phones I roam\n With my fleet, here to make this rap game complete\n While you live fables, unstable, acting very radical\n Projecting like you're hard, when in fact you're quite vaginal\n\n Whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n (Supa)(emcee)\n (Supa)(emcee)\n (Supa)\n (Emcee)\n (Supa) (emcee)\n (Supa) (emcee)\n (Supa) (emcee)\n (Supa)\n (Emcee)\n (Supa) (emcee)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa) (emcee)\n"},{"id":20169521,"name":"Supa Emcees","trackName":"Supa Emcees","artistName":"De La Soul","albumName":"Live at Tramps NYC 1996","duration":189.6399999,"instrumental":false,"hasWordSync":false,"plainLyrics":"Woop woop, that's the sound of the poor\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nMan I'm on the set like the flicks so let your cameras flash\nA splash bigger than whales, I'm makin monsters mash\nSpit Pinnochio's Theory when shit be looking weary\nI need rest, but I boogie for now, I'm on some mess\nLike the best mics respond to me\nLiving days, like dreams of specializing in the art that pays\nI be a mystic for life, so check my ID number\nEmcees be kneading dough while I make bread like Wonder\nYes, that's what you heard, so save that acting for the screen\nSee you can can that madness with the beans\nI bust emcees like lies surprise em out the box\nPut away the soda pops I'd rather rum on the rocks\nA dime-getter tried to get what I got, for what?\nI guess other folks' cash makes the lovin' come phat\nBut I'm past alla that, it's time to break with the breeze\nGet to your knees, here comes the Supa Emcees\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nWithin this program of rap, I'll eradicate the glitches\nYo I'm dark like Wesley, but I be sparkin' more bitches\nEntering my constellation puts your lives in jep'\nWhile you others represent, I present my rep\nCause when it comes to making dents, I'm that main imprint\nEven smoked from blunts which give eyes the reddish tint\nCould not prevent, you from seeing I'm the light\nBut bring attention to my words like some ass in tights\nI heard you want to fight me, with your words on stage\nSo Mase pulls that instrumental from the jam you made\nAnd as he starts cutting what you sold, I'll talk all over your tones\nAs if my name was Pete Rock or Sean \"Puffy\" Combs\nSend your tattered ass home, with celly phones I roam\nWith my fleet, here to make this rap game complete\nWhile you live fables, unstable, acting very radical\nProjecting like you're hard, when in fact you're quite vaginal\n\nWhatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\n(Supa)(emcee)\n(Supa)(emcee)\n(Supa)\n(Emcee)\n(Supa) (emcee)\n(Supa) (emcee)\n(Supa) (emcee)\n(Supa)\n(Emcee)\n(Supa) (emcee)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa) (emcee)","syncedLyrics":null,"lyricsfile":"version: '1.0'\nmetadata:\n title: Supa Emcees\n artist: De La Soul\n album: Live at Tramps NYC 1996\n duration_ms: 189640\n instrumental: false\nlines: []\nplain: |-\n Woop woop, that's the sound of the poor\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Man I'm on the set like the flicks so let your cameras flash\n A splash bigger than whales, I'm makin monsters mash\n Spit Pinnochio's Theory when shit be looking weary\n I need rest, but I boogie for now, I'm on some mess\n Like the best mics respond to me\n Living days, like dreams of specializing in the art that pays\n I be a mystic for life, so check my ID number\n Emcees be kneading dough while I make bread like Wonder\n Yes, that's what you heard, so save that acting for the screen\n See you can can that madness with the beans\n I bust emcees like lies surprise em out the box\n Put away the soda pops I'd rather rum on the rocks\n A dime-getter tried to get what I got, for what?\n I guess other folks' cash makes the lovin' come phat\n But I'm past alla that, it's time to break with the breeze\n Get to your knees, here comes the Supa Emcees\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Within this program of rap, I'll eradicate the glitches\n Yo I'm dark like Wesley, but I be sparkin' more bitches\n Entering my constellation puts your lives in jep'\n While you others represent, I present my rep\n Cause when it comes to making dents, I'm that main imprint\n Even smoked from blunts which give eyes the reddish tint\n Could not prevent, you from seeing I'm the light\n But bring attention to my words like some ass in tights\n I heard you want to fight me, with your words on stage\n So Mase pulls that instrumental from the jam you made\n And as he starts cutting what you sold, I'll talk all over your tones\n As if my name was Pete Rock or Sean \"Puffy\" Combs\n Send your tattered ass home, with celly phones I roam\n With my fleet, here to make this rap game complete\n While you live fables, unstable, acting very radical\n Projecting like you're hard, when in fact you're quite vaginal\n\n Whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n (Supa)(emcee)\n (Supa)(emcee)\n (Supa)\n (Emcee)\n (Supa) (emcee)\n (Supa) (emcee)\n (Supa) (emcee)\n (Supa)\n (Emcee)\n (Supa) (emcee)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa) (emcee)\n"},{"id":20172880,"name":"Supa Emcees","trackName":"Supa Emcees","artistName":"De La Soul","albumName":"Live at Tramps, NYC, 1996","duration":189.675102,"instrumental":false,"hasWordSync":false,"plainLyrics":"Woop woop, that's the sound of the poor\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nMan I'm on the set like the flicks so let your cameras flash\nA splash bigger than whales, I'm makin monsters mash\nSpit Pinnochio's Theory when shit be looking weary\nI need rest, but I boogie for now, I'm on some mess\nLike the best mics respond to me\nLiving days, like dreams of specializing in the art that pays\nI be a mystic for life, so check my ID number\nEmcees be kneading dough while I make bread like Wonder\nYes, that's what you heard, so save that acting for the screen\nSee you can can that madness with the beans\nI bust emcees like lies surprise em out the box\nPut away the soda pops I'd rather rum on the rocks\nA dime-getter tried to get what I got, for what?\nI guess other folks' cash makes the lovin' come phat\nBut I'm past alla that, it's time to break with the breeze\nGet to your knees, here comes the Supa Emcees\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nWithin this program of rap, I'll eradicate the glitches\nYo I'm dark like Wesley, but I be sparkin' more bitches\nEntering my constellation puts your lives in jep'\nWhile you others represent, I present my rep\nCause when it comes to making dents, I'm that main imprint\nEven smoked from blunts which give eyes the reddish tint\nCould not prevent, you from seeing I'm the light\nBut bring attention to my words like some ass in tights\nI heard you want to fight me, with your words on stage\nSo Mase pulls that instrumental from the jam you made\nAnd as he starts cutting what you sold, I'll talk all over your tones\nAs if my name was Pete Rock or Sean \"Puffy\" Combs\nSend your tattered ass home, with celly phones I roam\nWith my fleet, here to make this rap game complete\nWhile you live fables, unstable, acting very radical\nProjecting like you're hard, when in fact you're quite vaginal\n\nWhatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\n(Supa)(emcee)\n(Supa)(emcee)\n(Supa)\n(Emcee)\n(Supa) (emcee)\n(Supa) (emcee)\n(Supa) (emcee)\n(Supa)\n(Emcee)\n(Supa) (emcee)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa) (emcee)","syncedLyrics":null,"lyricsfile":"version: '1.0'\nmetadata:\n title: Supa Emcees\n artist: De La Soul\n album: Live at Tramps, NYC, 1996\n duration_ms: 189675\n instrumental: false\nlines: []\nplain: |-\n Woop woop, that's the sound of the poor\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Man I'm on the set like the flicks so let your cameras flash\n A splash bigger than whales, I'm makin monsters mash\n Spit Pinnochio's Theory when shit be looking weary\n I need rest, but I boogie for now, I'm on some mess\n Like the best mics respond to me\n Living days, like dreams of specializing in the art that pays\n I be a mystic for life, so check my ID number\n Emcees be kneading dough while I make bread like Wonder\n Yes, that's what you heard, so save that acting for the screen\n See you can can that madness with the beans\n I bust emcees like lies surprise em out the box\n Put away the soda pops I'd rather rum on the rocks\n A dime-getter tried to get what I got, for what?\n I guess other folks' cash makes the lovin' come phat\n But I'm past alla that, it's time to break with the breeze\n Get to your knees, here comes the Supa Emcees\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Within this program of rap, I'll eradicate the glitches\n Yo I'm dark like Wesley, but I be sparkin' more bitches\n Entering my constellation puts your lives in jep'\n While you others represent, I present my rep\n Cause when it comes to making dents, I'm that main imprint\n Even smoked from blunts which give eyes the reddish tint\n Could not prevent, you from seeing I'm the light\n But bring attention to my words like some ass in tights\n I heard you want to fight me, with your words on stage\n So Mase pulls that instrumental from the jam you made\n And as he starts cutting what you sold, I'll talk all over your tones\n As if my name was Pete Rock or Sean \"Puffy\" Combs\n Send your tattered ass home, with celly phones I roam\n With my fleet, here to make this rap game complete\n While you live fables, unstable, acting very radical\n Projecting like you're hard, when in fact you're quite vaginal\n\n Whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n (Supa)(emcee)\n (Supa)(emcee)\n (Supa)\n (Emcee)\n (Supa) (emcee)\n (Supa) (emcee)\n (Supa) (emcee)\n (Supa)\n (Emcee)\n (Supa) (emcee)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa) (emcee)\n"},{"id":15660033,"name":"Supa Emcees","trackName":"Supa Emcees","artistName":"De La Soul","albumName":"Stakes Is High [Tommy Boy TBCD 1149]","duration":220.2,"instrumental":false,"hasWordSync":false,"plainLyrics":"Woop woop, that's the sound of the poor\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nMan I'm on the set like the flicks so let your cameras flash\nA splash bigger than whales, I'm makin monsters mash\nSpit Pinnochio's Theory when shit be looking weary\nI need rest, but I boogie for now, I'm on some mess\nLike the best mics respond to me\nLiving days, like dreams of specializing in the art that pays\nI be a mystic for life, so check my ID number\nEmcees be kneading dough while I make bread like Wonder\nYes, that's what you heard, so save that acting for the screen\nSee you can can that madness with the beans\nI bust emcees like lies surprise em out the box\nPut away the soda pops I'd rather rum on the rocks\nA dime-getter tried to get what I got, for what?\nI guess other folks' cash makes the lovin' come phat\nBut I'm past alla that, it's time to break with the breeze\nGet to your knees, here comes the Supa Emcees\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nWithin this program of rap, I'll eradicate the glitches\nYo I'm dark like Wesley, but I be sparkin' more bitches\nEntering my constellation puts your lives in jep'\nWhile you others represent, I present my rep\nCause when it comes to making dents, I'm that main imprint\nEven smoked from blunts which give eyes the reddish tint\nCould not prevent, you from seeing I'm the light\nBut bring attention to my words like some ass in tights\nI heard you want to fight me, with your words on stage\nSo Mase pulls that instrumental from the jam you made\nAnd as he starts cutting what you sold, I'll talk all over your tones\nAs if my name was Pete Rock or Sean \"Puffy\" Combs\nSend your tattered ass home, with celly phones I roam\nWith my fleet, here to make this rap game complete\nWhile you live fables, unstable, acting very radical\nProjecting like you're hard, when in fact you're quite vaginal\n\nWhatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\n(Supa)(emcee)\n(Supa)(emcee)\n(Supa)\n(Emcee)\n(Supa) (emcee)\n(Supa) (emcee)\n(Supa) (emcee)\n(Supa)\n(Emcee)\n(Supa) (emcee)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa) (emcee)","syncedLyrics":null,"lyricsfile":"version: '1.0'\nmetadata:\n title: Supa Emcees\n artist: De La Soul\n album: Stakes Is High [Tommy Boy TBCD 1149]\n duration_ms: 220200\n instrumental: false\nlines: []\nplain: |-\n Woop woop, that's the sound of the poor\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Man I'm on the set like the flicks so let your cameras flash\n A splash bigger than whales, I'm makin monsters mash\n Spit Pinnochio's Theory when shit be looking weary\n I need rest, but I boogie for now, I'm on some mess\n Like the best mics respond to me\n Living days, like dreams of specializing in the art that pays\n I be a mystic for life, so check my ID number\n Emcees be kneading dough while I make bread like Wonder\n Yes, that's what you heard, so save that acting for the screen\n See you can can that madness with the beans\n I bust emcees like lies surprise em out the box\n Put away the soda pops I'd rather rum on the rocks\n A dime-getter tried to get what I got, for what?\n I guess other folks' cash makes the lovin' come phat\n But I'm past alla that, it's time to break with the breeze\n Get to your knees, here comes the Supa Emcees\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Within this program of rap, I'll eradicate the glitches\n Yo I'm dark like Wesley, but I be sparkin' more bitches\n Entering my constellation puts your lives in jep'\n While you others represent, I present my rep\n Cause when it comes to making dents, I'm that main imprint\n Even smoked from blunts which give eyes the reddish tint\n Could not prevent, you from seeing I'm the light\n But bring attention to my words like some ass in tights\n I heard you want to fight me, with your words on stage\n So Mase pulls that instrumental from the jam you made\n And as he starts cutting what you sold, I'll talk all over your tones\n As if my name was Pete Rock or Sean \"Puffy\" Combs\n Send your tattered ass home, with celly phones I roam\n With my fleet, here to make this rap game complete\n While you live fables, unstable, acting very radical\n Projecting like you're hard, when in fact you're quite vaginal\n\n Whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n (Supa)(emcee)\n (Supa)(emcee)\n (Supa)\n (Emcee)\n (Supa) (emcee)\n (Supa) (emcee)\n (Supa) (emcee)\n (Supa)\n (Emcee)\n (Supa) (emcee)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa) (emcee)\n"},{"id":24255975,"name":"Supa Emcees","trackName":"Supa Emcees","artistName":"De La Soul","albumName":"Original Album Series","duration":220.186122,"instrumental":false,"hasWordSync":false,"plainLyrics":"Woop woop, that's the sound of the poor\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nMan I'm on the set like the flicks so let your cameras flash\nA splash bigger than whales, I'm makin monsters mash\nSpit Pinnochio's Theory when shit be looking weary\nI need rest, but I boogie for now, I'm on some mess\nLike the best mics respond to me\nLiving days, like dreams of specializing in the art that pays\nI be a mystic for life, so check my ID number\nEmcees be kneading dough while I make bread like Wonder\nYes, that's what you heard, so save that acting for the screen\nSee you can can that madness with the beans\nI bust emcees like lies surprise em out the box\nPut away the soda pops I'd rather rum on the rocks\nA dime-getter tried to get what I got, for what?\nI guess other folks' cash makes the lovin' come phat\nBut I'm past alla that, it's time to break with the breeze\nGet to your knees, here comes the Supa Emcees\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nWithin this program of rap, I'll eradicate the glitches\nYo I'm dark like Wesley, but I be sparkin' more bitches\nEntering my constellation puts your lives in jep'\nWhile you others represent, I present my rep\nCause when it comes to making dents, I'm that main imprint\nEven smoked from blunts which give eyes the reddish tint\nCould not prevent, you from seeing I'm the light\nBut bring attention to my words like some ass in tights\nI heard you want to fight me, with your words on stage\nSo Mase pulls that instrumental from the jam you made\nAnd as he starts cutting what you sold, I'll talk all over your tones\nAs if my name was Pete Rock or Sean \"Puffy\" Combs\nSend your tattered ass home, with celly phones I roam\nWith my fleet, here to make this rap game complete\nWhile you live fables, unstable, acting very radical\nProjecting like you're hard, when in fact you're quite vaginal\n\nWhatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\n(Supa)(emcee)\n(Supa)(emcee)\n(Supa)\n(Emcee)\n(Supa) (emcee)\n(Supa) (emcee)\n(Supa) (emcee)\n(Supa)\n(Emcee)\n(Supa) (emcee)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa) (emcee)","syncedLyrics":null,"lyricsfile":"version: '1.0'\nmetadata:\n title: Supa Emcees\n artist: De La Soul\n album: Original Album Series\n duration_ms: 220186\n instrumental: false\nlines: []\nplain: |-\n Woop woop, that's the sound of the poor\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Man I'm on the set like the flicks so let your cameras flash\n A splash bigger than whales, I'm makin monsters mash\n Spit Pinnochio's Theory when shit be looking weary\n I need rest, but I boogie for now, I'm on some mess\n Like the best mics respond to me\n Living days, like dreams of specializing in the art that pays\n I be a mystic for life, so check my ID number\n Emcees be kneading dough while I make bread like Wonder\n Yes, that's what you heard, so save that acting for the screen\n See you can can that madness with the beans\n I bust emcees like lies surprise em out the box\n Put away the soda pops I'd rather rum on the rocks\n A dime-getter tried to get what I got, for what?\n I guess other folks' cash makes the lovin' come phat\n But I'm past alla that, it's time to break with the breeze\n Get to your knees, here comes the Supa Emcees\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Within this program of rap, I'll eradicate the glitches\n Yo I'm dark like Wesley, but I be sparkin' more bitches\n Entering my constellation puts your lives in jep'\n While you others represent, I present my rep\n Cause when it comes to making dents, I'm that main imprint\n Even smoked from blunts which give eyes the reddish tint\n Could not prevent, you from seeing I'm the light\n But bring attention to my words like some ass in tights\n I heard you want to fight me, with your words on stage\n So Mase pulls that instrumental from the jam you made\n And as he starts cutting what you sold, I'll talk all over your tones\n As if my name was Pete Rock or Sean \"Puffy\" Combs\n Send your tattered ass home, with celly phones I roam\n With my fleet, here to make this rap game complete\n While you live fables, unstable, acting very radical\n Projecting like you're hard, when in fact you're quite vaginal\n\n Whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n (Supa)(emcee)\n (Supa)(emcee)\n (Supa)\n (Emcee)\n (Supa) (emcee)\n (Supa) (emcee)\n (Supa) (emcee)\n (Supa)\n (Emcee)\n (Supa) (emcee)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa) (emcee)\n"},{"id":12743194,"name":"Supa Emcees","trackName":"Supa Emcees","artistName":"De La Soul","albumName":"Timeless: The Singles Collection","duration":222.0,"instrumental":false,"hasWordSync":false,"plainLyrics":"Woop woop, that's the sound of the poor\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nMan I'm on the set like the flicks so let your cameras flash\nA splash bigger than whales, I'm makin monsters mash\nSpit Pinnochio's Theory when shit be looking weary\nI need rest, but I boogie for now, I'm on some mess\nLike the best mics respond to me\nLiving days, like dreams of specializing in the art that pays\nI be a mystic for life, so check my ID number\nEmcees be kneading dough while I make bread like Wonder\nYes, that's what you heard, so save that acting for the screen\nSee you can can that madness with the beans\nI bust emcees like lies surprise em out the box\nPut away the soda pops I'd rather rum on the rocks\nA dime-getter tried to get what I got, for what?\nI guess other folks' cash makes the lovin' come phat\nBut I'm past alla that, it's time to break with the breeze\nGet to your knees, here comes the Supa Emcees\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nWithin this program of rap, I'll eradicate the glitches\nYo I'm dark like Wesley, but I be sparkin' more bitches\nEntering my constellation puts your lives in jep'\nWhile you others represent, I present my rep\nCause when it comes to making dents, I'm that main imprint\nEven smoked from blunts which give eyes the reddish tint\nCould not prevent, you from seeing I'm the light\nBut bring attention to my words like some ass in tights\nI heard you want to fight me, with your words on stage\nSo Mase pulls that instrumental from the jam you made\nAnd as he starts cutting what you sold, I'll talk all over your tones\nAs if my name was Pete Rock or Sean \"Puffy\" Combs\nSend your tattered ass home, with celly phones I roam\nWith my fleet, here to make this rap game complete\nWhile you live fables, unstable, acting very radical\nProjecting like you're hard, when in fact you're quite vaginal\n\nWhatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\n(Supa)(emcee)\n(Supa)(emcee)\n(Supa)\n(Emcee)\n(Supa) (emcee)\n(Supa) (emcee)\n(Supa) (emcee)\n(Supa)\n(Emcee)\n(Supa) (emcee)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa) (emcee)","syncedLyrics":null,"lyricsfile":"version: '1.0'\nmetadata:\n title: Supa Emcees\n artist: De La Soul\n album: 'Timeless: The Singles Collection'\n duration_ms: 222000\n instrumental: false\nlines: []\nplain: |-\n Woop woop, that's the sound of the poor\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Man I'm on the set like the flicks so let your cameras flash\n A splash bigger than whales, I'm makin monsters mash\n Spit Pinnochio's Theory when shit be looking weary\n I need rest, but I boogie for now, I'm on some mess\n Like the best mics respond to me\n Living days, like dreams of specializing in the art that pays\n I be a mystic for life, so check my ID number\n Emcees be kneading dough while I make bread like Wonder\n Yes, that's what you heard, so save that acting for the screen\n See you can can that madness with the beans\n I bust emcees like lies surprise em out the box\n Put away the soda pops I'd rather rum on the rocks\n A dime-getter tried to get what I got, for what?\n I guess other folks' cash makes the lovin' come phat\n But I'm past alla that, it's time to break with the breeze\n Get to your knees, here comes the Supa Emcees\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Within this program of rap, I'll eradicate the glitches\n Yo I'm dark like Wesley, but I be sparkin' more bitches\n Entering my constellation puts your lives in jep'\n While you others represent, I present my rep\n Cause when it comes to making dents, I'm that main imprint\n Even smoked from blunts which give eyes the reddish tint\n Could not prevent, you from seeing I'm the light\n But bring attention to my words like some ass in tights\n I heard you want to fight me, with your words on stage\n So Mase pulls that instrumental from the jam you made\n And as he starts cutting what you sold, I'll talk all over your tones\n As if my name was Pete Rock or Sean \"Puffy\" Combs\n Send your tattered ass home, with celly phones I roam\n With my fleet, here to make this rap game complete\n While you live fables, unstable, acting very radical\n Projecting like you're hard, when in fact you're quite vaginal\n\n Whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n (Supa)(emcee)\n (Supa)(emcee)\n (Supa)\n (Emcee)\n (Supa) (emcee)\n (Supa) (emcee)\n (Supa) (emcee)\n (Supa)\n (Emcee)\n (Supa) (emcee)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa) (emcee)\n"},{"id":28347200,"name":"Supa Emcees","trackName":"Supa Emcees","artistName":"De La Soul","albumName":"Stakes Is High (1996)","duration":220.0,"instrumental":false,"hasWordSync":false,"plainLyrics":"Woop woop, that's the sound of the poor\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nMan I'm on the set like the flicks so let your cameras flash\nA splash bigger than whales, I'm makin monsters mash\nSpit Pinnochio's Theory when shit be looking weary\nI need rest, but I boogie for now, I'm on some mess\nLike the best mics respond to me\nLiving days, like dreams of specializing in the art that pays\nI be a mystic for life, so check my ID number\nEmcees be kneading dough while I make bread like Wonder\nYes, that's what you heard, so save that acting for the screen\nSee you can can that madness with the beans\nI bust emcees like lies surprise em out the box\nPut away the soda pops I'd rather rum on the rocks\nA dime-getter tried to get what I got, for what?\nI guess other folks' cash makes the lovin' come phat\nBut I'm past alla that, it's time to break with the breeze\nGet to your knees, here comes the Supa Emcees\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nWithin this program of rap, I'll eradicate the glitches\nYo I'm dark like Wesley, but I be sparkin' more bitches\nEntering my constellation puts your lives in jep'\nWhile you others represent, I present my rep\nCause when it comes to making dents, I'm that main imprint\nEven smoked from blunts which give eyes the reddish tint\nCould not prevent, you from seeing I'm the light\nBut bring attention to my words like some ass in tights\nI heard you want to fight me, with your words on stage\nSo Mase pulls that instrumental from the jam you made\nAnd as he starts cutting what you sold, I'll talk all over your tones\nAs if my name was Pete Rock or Sean \"Puffy\" Combs\nSend your tattered ass home, with celly phones I roam\nWith my fleet, here to make this rap game complete\nWhile you live fables, unstable, acting very radical\nProjecting like you're hard, when in fact you're quite vaginal\n\nWhatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\nHey, whatever happened to the (emcee)?\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)ing ain't for you\n\n(Supa)(emcee)\n(Supa)(emcee)\n(Supa)\n(Emcee)\n(Supa) (emcee)\n(Supa) (emcee)\n(Supa) (emcee)\n(Supa)\n(Emcee)\n(Supa) (emcee)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa)\n(Supa) (emcee)","syncedLyrics":null,"lyricsfile":"version: '1.0'\nmetadata:\n title: Supa Emcees\n artist: De La Soul\n album: Stakes Is High (1996)\n duration_ms: 220000\n instrumental: false\nlines: []\nplain: |-\n Woop woop, that's the sound of the poor\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Man I'm on the set like the flicks so let your cameras flash\n A splash bigger than whales, I'm makin monsters mash\n Spit Pinnochio's Theory when shit be looking weary\n I need rest, but I boogie for now, I'm on some mess\n Like the best mics respond to me\n Living days, like dreams of specializing in the art that pays\n I be a mystic for life, so check my ID number\n Emcees be kneading dough while I make bread like Wonder\n Yes, that's what you heard, so save that acting for the screen\n See you can can that madness with the beans\n I bust emcees like lies surprise em out the box\n Put away the soda pops I'd rather rum on the rocks\n A dime-getter tried to get what I got, for what?\n I guess other folks' cash makes the lovin' come phat\n But I'm past alla that, it's time to break with the breeze\n Get to your knees, here comes the Supa Emcees\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Within this program of rap, I'll eradicate the glitches\n Yo I'm dark like Wesley, but I be sparkin' more bitches\n Entering my constellation puts your lives in jep'\n While you others represent, I present my rep\n Cause when it comes to making dents, I'm that main imprint\n Even smoked from blunts which give eyes the reddish tint\n Could not prevent, you from seeing I'm the light\n But bring attention to my words like some ass in tights\n I heard you want to fight me, with your words on stage\n So Mase pulls that instrumental from the jam you made\n And as he starts cutting what you sold, I'll talk all over your tones\n As if my name was Pete Rock or Sean \"Puffy\" Combs\n Send your tattered ass home, with celly phones I roam\n With my fleet, here to make this rap game complete\n While you live fables, unstable, acting very radical\n Projecting like you're hard, when in fact you're quite vaginal\n\n Whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n Hey, whatever happened to the (emcee)?\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)ing ain't for you\n\n (Supa)(emcee)\n (Supa)(emcee)\n (Supa)\n (Emcee)\n (Supa) (emcee)\n (Supa) (emcee)\n (Supa) (emcee)\n (Supa)\n (Emcee)\n (Supa) (emcee)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa)\n (Supa) (emcee)\n"},{"id":25867815,"name":"02 - Supa Emcees","trackName":"02 - Supa Emcees","artistName":"De La Soul","albumName":"Stakes Is High","duration":220.243708,"instrumental":false,"hasWordSync":false,"plainLyrics":"That's the sound of the poor\n(Emcee)\n\nHey, whatever happened to the (emcee)\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)-ing ain't for you!\n\nHey, whatever happened to the (emcee)\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)-ing ain't for you!\n\nMan, I'm on the set like the flicks, so let your cameras flash\nA splash bigger than whales, I'm makin' monsters mash\nSpit Pinocchio's Theory when - be looking weary\nI need rest, but I boogie for now, I'm on some mess\nLike the best mics respond to me\nLiving days, like dreams of specializing in the art that pays\nI be a mystic for life, so check my ID number\nEmcees be needing dough while I make bread like Wonder\n\nYes, that's what you heard, so save that acting for the screen\nSee, you can can that madness with the beans\nI bust emcees like lies, surprise 'em out the box\nPut away the soda pops, I'd rather rum on the rocks\nA dime-getter tried to get what I got, for what?\nI guess other folks' cash makes the lovin' come phat\nBut I'm past all of that, it's time to break with the breeze\nGet to your knees, here comes the Supa Emcees, emcees\n\nHey, whatever happened to the (emcee)\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)-ing ain't for you!\n\nWhatever happened to the (emcee)\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)-ing ain't for you!\n\nSuper (emcee)\nSuper (emcee)\nSuper (emcee)\nSuper (emcee)\nSuper (emcee)\nSuper (emcee) (yes)\nSuper (emcee)\nSuper (emcee)\n\nWithin this program of rap, I'll eradicate the glitches\nYo, I'm dark like Wesley, but I be sparkin' more -\nEntering my constellation puts your lives in jep'\nWhile you others represent, I present my rep\n'Cause when it comes to making dents, I'm that main imprint\nEven smoked from blunts which give eyes the reddish tint\nCould not prevent you from seeing I'm the light\nBut bring attention to my words like some ass in tights\n\nI heard you want to fight me, with your words on stage\nSo Mase pulls that instrumental from the jam you made\nAnd as he starts cutting what you sold, I'll talk all over your tones\nAs if my name was Pete Rock or Sean \"Puffy\" Combs\nSend your tattered ass home, with celly phones I roam\nWith my fleet, here to make this rap game complete\nWhile you live fables, unstable, acting very radical\nProjecting like you're hard, when in fact you're quite vaginal\n\nHey, whatever happened to the (emcee)\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)-ing ain't for you!\n\nHey, whatever happened to the (emcee)\nTimes done changed for the (emcee)\nEvery woman and man wanna (emcee)\nBut for what, I tell you (emcee)-ing ain't for you!\n\nSuper (emcee)\nSuper (emcee)\nSu-per (emcee)\nSuper (emcee) (come on)\nSuper (emcee) (Resident L.I.)\nSuper (emcee) (spittin' on high)\nSuper (emcee)\nSuper (emcee)\n\nSuper\nSuper\nSu-per\nSuper\nSuper\nSuper\nSu-per\nSuper\nSuper\nSuper","syncedLyrics":"[00:00.00] That's the sound of the poor\n[00:06.63] (Emcee)\n[00:07.50] Hey, whatever happened to the (emcee)\n[00:10.42] Times done changed for the (emcee)\n[00:12.73] Every woman and man wanna (emcee)\n[00:15.14] But for what, I tell you (emcee)-ing ain't for you!\n[00:18.14] Hey, whatever happened to the (emcee)\n[00:20.61] Times done changed for the (emcee)\n[00:23.07] Every woman and man wanna (emcee)\n[00:25.68] But for what, I tell you (emcee)-ing ain't for you!\n[00:28.06] Man, I'm on the set like the flicks, so let your cameras flash\n[00:30.89] A splash bigger than whales, I'm makin' monsters mash\n[00:33.57] Spit Pinocchio's Theory when - be looking weary\n[00:36.25] I need rest, but I boogie for now, I'm on some mess\n[00:38.88] Like the best mics respond to me\n[00:40.94] Living days, like dreams of specializing in the art that pays\n[00:43.92] I be a mystic for life, so check my ID number\n[00:46.92] Emcees be needing dough while I make bread like Wonder\n[00:49.38] Yes, that's what you heard, so save that acting for the screen\n[00:52.17] See, you can can that madness with the beans\n[00:54.34] I bust emcees like lies, surprise 'em out the box\n[00:57.16] Put away the soda pops, I'd rather rum on the rocks\n[00:59.75] A dime-getter tried to get what I got, for what?\n[01:02.24] I guess other folks' cash makes the lovin' come phat\n[01:05.00] But I'm past all of that, it's time to break with the breeze\n[01:07.46] Get to your knees, here comes the Supa Emcees, emcees\n[01:10.21] Hey, whatever happened to the (emcee)\n[01:13.07] Times done changed for the (emcee)\n[01:15.34] Every woman and man wanna (emcee)\n[01:17.78] But for what, I tell you (emcee)-ing ain't for you!\n[01:20.71] Whatever happened to the (emcee)\n[01:23.25] Times done changed for the (emcee)\n[01:25.73] Every woman and man wanna (emcee)\n[01:28.12] But for what, I tell you (emcee)-ing ain't for you!\n[01:31.17] Super (emcee)\n[01:33.76] Super (emcee)\n[01:36.25] Super (emcee)\n[01:39.01] Super (emcee)\n[01:41.47] Super (emcee)\n[01:44.13] Super (emcee) (yes)\n[01:46.69] Super (emcee)\n[01:49.43] Super (emcee)\n[01:51.52] Within this program of rap, I'll eradicate the glitches\n[01:54.67] Yo, I'm dark like Wesley, but I be sparkin' more -\n[01:57.09] Entering my constellation puts your lives in jep'\n[01:59.60] While you others represent, I present my rep\n[02:02.21] 'Cause when it comes to making dents, I'm that main imprint\n[02:04.92] Even smoked from blunts which give eyes the reddish tint\n[02:07.42] Could not prevent you from seeing I'm the light\n[02:10.00] But bring attention to my words like some ass in tights\n[02:12.59] I heard you want to fight me, with your words on stage\n[02:15.16] So Mase pulls that instrumental from the jam you made\n[02:17.96] And as he starts cutting what you sold, I'll talk all over your tones\n[02:20.85] As if my name was Pete Rock or Sean \"Puffy\" Combs\n[02:23.31] Send your tattered ass home, with celly phones I roam\n[02:25.77] With my fleet, here to make this rap game complete\n[02:28.31] While you live fables, unstable, acting very radical\n[02:31.12] Projecting like you're hard, when in fact you're quite vaginal\n[02:33.94] Hey, whatever happened to the (emcee)\n[02:36.44] Times done changed for the (emcee)\n[02:38.61] Every woman and man wanna (emcee)\n[02:41.25] But for what, I tell you (emcee)-ing ain't for you!\n[02:44.08] Hey, whatever happened to the (emcee)\n[02:46.63] Times done changed for the (emcee)\n[02:49.17] Every woman and man wanna (emcee)\n[02:51.56] But for what, I tell you (emcee)-ing ain't for you!\n[02:54.79] Super (emcee)\n[02:57.22] Super (emcee)\n[02:59.76] Su-per (emcee)\n[03:02.37] Super (emcee) (come on)\n[03:04.95] Super (emcee) (Resident L.I.)\n[03:07.56] Super (emcee) (spittin' on high)\n[03:10.20] Super (emcee)\n[03:12.77] Super (emcee)\n[03:15.34] Super\n[03:17.80] Super\n[03:20.58] Su-per\n[03:23.16] Super\n[03:25.73] Super\n[03:28.30] Super\n[03:30.96] Su-per\n[03:33.52] Super\n[03:36.18] Super\n[03:38.72] Super\n[03:39.27] ","lyricsfile":"version: '1.0'\nmetadata:\n title: 02 - Supa Emcees\n artist: De La Soul\n album: Stakes Is High\n duration_ms: 220244\n instrumental: false\nlines:\n- text: That's the sound of the poor\n start_ms: 0\n end_ms: 6630\n- text: (Emcee)\n start_ms: 6630\n end_ms: 7500\n- text: Hey, whatever happened to the (emcee)\n start_ms: 7500\n end_ms: 10420\n- text: Times done changed for the (emcee)\n start_ms: 10420\n end_ms: 12730\n- text: Every woman and man wanna (emcee)\n start_ms: 12730\n end_ms: 15140\n- text: But for what, I tell you (emcee)-ing ain't for you!\n start_ms: 15140\n end_ms: 18140\n- text: Hey, whatever happened to the (emcee)\n start_ms: 18140\n end_ms: 20610\n- text: Times done changed for the (emcee)\n start_ms: 20610\n end_ms: 23070\n- text: Every woman and man wanna (emcee)\n start_ms: 23070\n end_ms: 25680\n- text: But for what, I tell you (emcee)-ing ain't for you!\n start_ms: 25680\n end_ms: 28060\n- text: Man, I'm on the set like the flicks, so let your cameras flash\n start_ms: 28060\n end_ms: 30890\n- text: A splash bigger than whales, I'm makin' monsters mash\n start_ms: 30890\n end_ms: 33570\n- text: Spit Pinocchio's Theory when - be looking weary\n start_ms: 33570\n end_ms: 36250\n- text: I need rest, but I boogie for now, I'm on some mess\n start_ms: 36250\n end_ms: 38880\n- text: Like the best mics respond to me\n start_ms: 38880\n end_ms: 40940\n- text: Living days, like dreams of specializing in the art that pays\n start_ms: 40940\n end_ms: 43920\n- text: I be a mystic for life, so check my ID number\n start_ms: 43920\n end_ms: 46920\n- text: Emcees be needing dough while I make bread like Wonder\n start_ms: 46920\n end_ms: 49380\n- text: Yes, that's what you heard, so save that acting for the screen\n start_ms: 49380\n end_ms: 52170\n- text: See, you can can that madness with the beans\n start_ms: 52170\n end_ms: 54340\n- text: I bust emcees like lies, surprise 'em out the box\n start_ms: 54340\n end_ms: 57160\n- text: Put away the soda pops, I'd rather rum on the rocks\n start_ms: 57160\n end_ms: 59750\n- text: A dime-getter tried to get what I got, for what?\n start_ms: 59750\n end_ms: 62240\n- text: I guess other folks' cash makes the lovin' come phat\n start_ms: 62240\n end_ms: 65000\n- text: But I'm past all of that, it's time to break with the breeze\n start_ms: 65000\n end_ms: 67460\n- text: Get to your knees, here comes the Supa Emcees, emcees\n start_ms: 67460\n end_ms: 70210\n- text: Hey, whatever happened to the (emcee)\n start_ms: 70210\n end_ms: 73070\n- text: Times done changed for the (emcee)\n start_ms: 73070\n end_ms: 75340\n- text: Every woman and man wanna (emcee)\n start_ms: 75340\n end_ms: 77780\n- text: But for what, I tell you (emcee)-ing ain't for you!\n start_ms: 77780\n end_ms: 80710\n- text: Whatever happened to the (emcee)\n start_ms: 80710\n end_ms: 83250\n- text: Times done changed for the (emcee)\n start_ms: 83250\n end_ms: 85730\n- text: Every woman and man wanna (emcee)\n start_ms: 85730\n end_ms: 88120\n- text: But for what, I tell you (emcee)-ing ain't for you!\n start_ms: 88120\n end_ms: 91170\n- text: Super (emcee)\n start_ms: 91170\n end_ms: 93760\n- text: Super (emcee)\n start_ms: 93760\n end_ms: 96250\n- text: Super (emcee)\n start_ms: 96250\n end_ms: 99010\n- text: Super (emcee)\n start_ms: 99010\n end_ms: 101470\n- text: Super (emcee)\n start_ms: 101470\n end_ms: 104130\n- text: Super (emcee) (yes)\n start_ms: 104130\n end_ms: 106690\n- text: Super (emcee)\n start_ms: 106690\n end_ms: 109430\n- text: Super (emcee)\n start_ms: 109430\n end_ms: 111520\n- text: Within this program of rap, I'll eradicate the glitches\n start_ms: 111520\n end_ms: 114670\n- text: Yo, I'm dark like Wesley, but I be sparkin' more -\n start_ms: 114670\n end_ms: 117090\n- text: Entering my constellation puts your lives in jep'\n start_ms: 117090\n end_ms: 119600\n- text: While you others represent, I present my rep\n start_ms: 119600\n end_ms: 122210\n- text: '''Cause when it comes to making dents, I''m that main imprint'\n start_ms: 122210\n end_ms: 124920\n- text: Even smoked from blunts which give eyes the reddish tint\n start_ms: 124920\n end_ms: 127420\n- text: Could not prevent you from seeing I'm the light\n start_ms: 127420\n end_ms: 130000\n- text: But bring attention to my words like some ass in tights\n start_ms: 130000\n end_ms: 132590\n- text: I heard you want to fight me, with your words on stage\n start_ms: 132590\n end_ms: 135160\n- text: So Mase pulls that instrumental from the jam you made\n start_ms: 135160\n end_ms: 137960\n- text: And as he starts cutting what you sold, I'll talk all over your tones\n start_ms: 137960\n end_ms: 140850\n- text: As if my name was Pete Rock or Sean \"Puffy\" Combs\n start_ms: 140850\n end_ms: 143310\n- text: Send your tattered ass home, with celly phones I roam\n start_ms: 143310\n end_ms: 145770\n- text: With my fleet, here to make this rap game complete\n start_ms: 145770\n end_ms: 148310\n- text: While you live fables, unstable, acting very radical\n start_ms: 148310\n end_ms: 151120\n- text: Projecting like you're hard, when in fact you're quite vaginal\n start_ms: 151120\n end_ms: 153940\n- text: Hey, whatever happened to the (emcee)\n start_ms: 153940\n end_ms: 156440\n- text: Times done changed for the (emcee)\n start_ms: 156440\n end_ms: 158610\n- text: Every woman and man wanna (emcee)\n start_ms: 158610\n end_ms: 161250\n- text: But for what, I tell you (emcee)-ing ain't for you!\n start_ms: 161250\n end_ms: 164080\n- text: Hey, whatever happened to the (emcee)\n start_ms: 164080\n end_ms: 166630\n- text: Times done changed for the (emcee)\n start_ms: 166630\n end_ms: 169170\n- text: Every woman and man wanna (emcee)\n start_ms: 169170\n end_ms: 171560\n- text: But for what, I tell you (emcee)-ing ain't for you!\n start_ms: 171560\n end_ms: 174790\n- text: Super (emcee)\n start_ms: 174790\n end_ms: 177220\n- text: Super (emcee)\n start_ms: 177220\n end_ms: 179760\n- text: Su-per (emcee)\n start_ms: 179760\n end_ms: 182370\n- text: Super (emcee) (come on)\n start_ms: 182370\n end_ms: 184950\n- text: Super (emcee) (Resident L.I.)\n start_ms: 184950\n end_ms: 187560\n- text: Super (emcee) (spittin' on high)\n start_ms: 187560\n end_ms: 190200\n- text: Super (emcee)\n start_ms: 190200\n end_ms: 192770\n- text: Super (emcee)\n start_ms: 192770\n end_ms: 195340\n- text: Super\n start_ms: 195340\n end_ms: 197800\n- text: Super\n start_ms: 197800\n end_ms: 200580\n- text: Su-per\n start_ms: 200580\n end_ms: 203160\n- text: Super\n start_ms: 203160\n end_ms: 205730\n- text: Super\n start_ms: 205730\n end_ms: 208300\n- text: Super\n start_ms: 208300\n end_ms: 210960\n- text: Su-per\n start_ms: 210960\n end_ms: 213520\n- text: Super\n start_ms: 213520\n end_ms: 216180\n- text: Super\n start_ms: 216180\n end_ms: 218720\n- text: Super\n start_ms: 218720\n end_ms: 219270\n- text: ''\n start_ms: 219270\nplain: |-\n That's the sound of the poor\n (Emcee)\n\n Hey, whatever happened to the (emcee)\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)-ing ain't for you!\n\n Hey, whatever happened to the (emcee)\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)-ing ain't for you!\n\n Man, I'm on the set like the flicks, so let your cameras flash\n A splash bigger than whales, I'm makin' monsters mash\n Spit Pinocchio's Theory when - be looking weary\n I need rest, but I boogie for now, I'm on some mess\n Like the best mics respond to me\n Living days, like dreams of specializing in the art that pays\n I be a mystic for life, so check my ID number\n Emcees be needing dough while I make bread like Wonder\n\n Yes, that's what you heard, so save that acting for the screen\n See, you can can that madness with the beans\n I bust emcees like lies, surprise 'em out the box\n Put away the soda pops, I'd rather rum on the rocks\n A dime-getter tried to get what I got, for what?\n I guess other folks' cash makes the lovin' come phat\n But I'm past all of that, it's time to break with the breeze\n Get to your knees, here comes the Supa Emcees, emcees\n\n Hey, whatever happened to the (emcee)\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)-ing ain't for you!\n\n Whatever happened to the (emcee)\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)-ing ain't for you!\n\n Super (emcee)\n Super (emcee)\n Super (emcee)\n Super (emcee)\n Super (emcee)\n Super (emcee) (yes)\n Super (emcee)\n Super (emcee)\n\n Within this program of rap, I'll eradicate the glitches\n Yo, I'm dark like Wesley, but I be sparkin' more -\n Entering my constellation puts your lives in jep'\n While you others represent, I present my rep\n 'Cause when it comes to making dents, I'm that main imprint\n Even smoked from blunts which give eyes the reddish tint\n Could not prevent you from seeing I'm the light\n But bring attention to my words like some ass in tights\n\n I heard you want to fight me, with your words on stage\n So Mase pulls that instrumental from the jam you made\n And as he starts cutting what you sold, I'll talk all over your tones\n As if my name was Pete Rock or Sean \"Puffy\" Combs\n Send your tattered ass home, with celly phones I roam\n With my fleet, here to make this rap game complete\n While you live fables, unstable, acting very radical\n Projecting like you're hard, when in fact you're quite vaginal\n\n Hey, whatever happened to the (emcee)\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)-ing ain't for you!\n\n Hey, whatever happened to the (emcee)\n Times done changed for the (emcee)\n Every woman and man wanna (emcee)\n But for what, I tell you (emcee)-ing ain't for you!\n\n Super (emcee)\n Super (emcee)\n Su-per (emcee)\n Super (emcee) (come on)\n Super (emcee) (Resident L.I.)\n Super (emcee) (spittin' on high)\n Super (emcee)\n Super (emcee)\n\n Super\n Super\n Su-per\n Super\n Super\n Super\n Su-per\n Super\n Super\n Super\n"},{"id":21648080,"name":"Supa Emcees (Live Version)","trackName":"Supa Emcees (Live Version)","artistName":"De La Soul","albumName":"Live At Tramps, NYC, 1996","duration":189.6750999,"instrumental":false,"hasWordSync":false,"plainLyrics":"Hey, whatever happened to the MCs\nTimes done changed for the MCs\nEvery woman and man wanna MC\nBut for what, I tell you MC-ing ain't for you!\n\nHey, whatever happened to the MCs\nTimes done changed for the MCs\nEvery woman and man wanna MC\nBut for what, I tell you MC-ing ain't for you!\n\nMan, I'm on the set like the flicks, so let your cameras flash\nA splash bigger than whales, I'm makin' monsters mash\nSpit Pinocchio's Theory when shit be lookin' weary\nI need rest, but I boogie for now, I'm on some mess\n\nLike the best, mics respond to me\nLivin' days like dreams of specializin' in the art that pays\nI be a mystic for life, so check my ID number\nEmcees be needin' dough while I make bread like Wonder\n\nYes, that's what you heard, so save that actin' for the screen\nSee, you can-can that madness with the beans\nI bust emcees like lies, surprise 'em out the box\nPut away the soda pops, I'd rather rum on the rocks\n\nA dime-getter tried to get what I got—for what?\nI guess other folks' cash makes the lovin' come phat\nBut I'm past all of that, it's time to break with the breeze\nGet to your knees—here come the Supa Emcees!\"\n\nHey, whatever happened to the MCs\nTimes done changed for the MCs\nEvery woman and man wanna MC\nBut for what, I tell you MC-ing ain't for you!\n\nWhatever happened to the MCs\nTimes done changed for the MCs\nEvery woman and man wanna MC\nBut for what, I tell you MC-ing ain't for you!\n\nLet me hear you say we came through for them\nC'mon (we came through for them)\nLet me hear you say whine me up\nEverybody (whine me up)\n\nLet me hear you say we came through for them\nC'mon (we came through for them)\nLet me hear you say whine me up\nEverybody (whine me up)\n\nWithin this program of rap, I'll eradicate the glitches\nYo, I'm dark like Wesley, but I be sparkin' more bitches\nEnterin' my constellation puts your lives in jeopardy\nWhile you others represent, I present my rep\n\nCause when it comes to makin' dents, I'm that main imprint\nEven smoked from blunts that give eyes the reddish tint\nCould not prevent you from seein' I'm the light\nBut bring attention to my words like some ass in tights\n\nI heard you wanna fight me with your words on stage\nSo Mase pulls that instrumental from the jam you made\nAnd as he starts cuttin' what you sold, I'll talk all over your tones\nAs if my name was Pete Rock or Sean 'Puffy' Combs\n\nSend your tattered ass home, with celly phones I roam\nWith my fleet, here to make this rap game complete\nWhile you live fables, unstable, actin' very radical\nProjectin' like you're hard, when in fact you're quite vaginal!\n\nWhatever happened to the MCs\nTimes done changed for the MCs\nEvery woman and man wanna MC\nBut for what, I tell you MC-ing ain't for you!\n\nHey, whatever happened to the MCs\nTimes done changed for the MCs\nEvery woman and man wanna MC\nBut for what, I tell you MC-ing ain't for you!","syncedLyrics":"[00:23.71] Hey, whatever happened to the MCs\n[00:25.63] Times done changed for the MCs\n[00:27.73] Every woman and man wanna MC\n[00:29.94] But for what, I tell you MC-ing ain't for you!\n[00:33.61] Hey, whatever happened to the MCs\n[00:36.14] Times done changed for the MCs\n[00:38.49] Every woman and man wanna MC\n[00:41.01] But for what, I tell you MC-ing ain't for you!\n[00:44.09] Man, I'm on the set like the flicks, so let your cameras flash\n[00:46.19] A splash bigger than whales, I'm makin' monsters mash\n[00:48.86] Spit Pinocchio's Theory when shit be lookin' weary\n[00:51.75] I need rest, but I boogie for now, I'm on some mess\n[00:54.50] Like the best, mics respond to me\n[00:56.24] Livin' days like dreams of specializin' in the art that pays\n[00:59.31] I be a mystic for life, so check my ID number\n[01:02.39] Emcees be needin' dough while I make bread like Wonder\n[01:04.46] Yes, that's what you heard, so save that actin' for the screen\n[01:07.32] See, you can-can that madness with the beans\n[01:09.53] I bust emcees like lies, surprise 'em out the box\n[01:12.55] Put away the soda pops, I'd rather rum on the rocks\n[01:15.09] A dime-getter tried to get what I got—for what?\n[01:17.55] I guess other folks' cash makes the lovin' come phat\n[01:20.29] But I'm past all of that, it's time to break with the breeze\n[01:22.54] Get to your knees—here come the Supa Emcees!\"\n[01:25.74] Hey, whatever happened to the MCs\n[01:28.09] Times done changed for the MCs\n[01:30.69] Every woman and man wanna MC\n[01:33.15] But for what, I tell you MC-ing ain't for you!\n[01:35.94] Whatever happened to the MCs\n[01:38.71] Times done changed for the MCs\n[01:41.23] Every woman and man wanna MC\n[01:43.66] But for what, I tell you MC-ing ain't for you!\n[01:45.36] Let me hear you say we came through for them\n[01:48.55] C'mon (we came through for them)\n[01:50.70] Let me hear you say whine me up\n[01:53.06] Everybody (whine me up)\n[01:56.60] Let me hear you say we came through for them\n[01:58.90] C'mon (we came through for them)\n[02:01.06] Let me hear you say whine me up\n[02:03.69] Everybody (whine me up)\n[02:06.57] Within this program of rap, I'll eradicate the glitches\n[02:09.52] Yo, I'm dark like Wesley, but I be sparkin' more bitches\n[02:12.12] Enterin' my constellation puts your lives in jeopardy\n[02:15.18] While you others represent, I present my rep\n[02:17.36] Cause when it comes to makin' dents, I'm that main imprint\n[02:20.04] Even smoked from blunts that give eyes the reddish tint\n[02:22.86] Could not prevent you from seein' I'm the light\n[02:25.21] But bring attention to my words like some ass in tights\n[02:27.77] I heard you wanna fight me with your words on stage\n[02:30.48] So Mase pulls that instrumental from the jam you made\n[02:33.06] And as he starts cuttin' what you sold, I'll talk all over your tones\n[02:36.16] As if my name was Pete Rock or Sean 'Puffy' Combs\n[02:38.44] Send your tattered ass home, with celly phones I roam\n[02:40.94] With my fleet, here to make this rap game complete\n[02:43.81] While you live fables, unstable, actin' very radical\n[02:46.49] Projectin' like you're hard, when in fact you're quite vaginal!\n[02:49.35] Whatever happened to the MCs\n[02:51.90] Times done changed for the MCs\n[02:54.23] Every woman and man wanna MC\n[02:56.49] But for what, I tell you MC-ing ain't for you!\n[02:59.42] Hey, whatever happened to the MCs\n[03:01.96] Times done changed for the MCs\n[03:04.55] Every woman and man wanna MC\n[03:07.07] But for what, I tell you MC-ing ain't for you!\n[03:08.72] ","lyricsfile":"version: '1.0'\nmetadata:\n title: Supa Emcees (Live Version)\n artist: De La Soul\n album: Live At Tramps, NYC, 1996\n duration_ms: 189675\n instrumental: false\nlines:\n- text: Hey, whatever happened to the MCs\n start_ms: 23710\n end_ms: 25630\n- text: Times done changed for the MCs\n start_ms: 25630\n end_ms: 27730\n- text: Every woman and man wanna MC\n start_ms: 27730\n end_ms: 29940\n- text: But for what, I tell you MC-ing ain't for you!\n start_ms: 29940\n end_ms: 33610\n- text: Hey, whatever happened to the MCs\n start_ms: 33610\n end_ms: 36140\n- text: Times done changed for the MCs\n start_ms: 36140\n end_ms: 38490\n- text: Every woman and man wanna MC\n start_ms: 38490\n end_ms: 41010\n- text: But for what, I tell you MC-ing ain't for you!\n start_ms: 41010\n end_ms: 44090\n- text: Man, I'm on the set like the flicks, so let your cameras flash\n start_ms: 44090\n end_ms: 46190\n- text: A splash bigger than whales, I'm makin' monsters mash\n start_ms: 46190\n end_ms: 48860\n- text: Spit Pinocchio's Theory when shit be lookin' weary\n start_ms: 48860\n end_ms: 51750\n- text: I need rest, but I boogie for now, I'm on some mess\n start_ms: 51750\n end_ms: 54500\n- text: Like the best, mics respond to me\n start_ms: 54500\n end_ms: 56240\n- text: Livin' days like dreams of specializin' in the art that pays\n start_ms: 56240\n end_ms: 59310\n- text: I be a mystic for life, so check my ID number\n start_ms: 59310\n end_ms: 62390\n- text: Emcees be needin' dough while I make bread like Wonder\n start_ms: 62390\n end_ms: 64460\n- text: Yes, that's what you heard, so save that actin' for the screen\n start_ms: 64460\n end_ms: 67320\n- text: See, you can-can that madness with the beans\n start_ms: 67320\n end_ms: 69530\n- text: I bust emcees like lies, surprise 'em out the box\n start_ms: 69530\n end_ms: 72550\n- text: Put away the soda pops, I'd rather rum on the rocks\n start_ms: 72550\n end_ms: 75090\n- text: A dime-getter tried to get what I got—for what?\n start_ms: 75090\n end_ms: 77550\n- text: I guess other folks' cash makes the lovin' come phat\n start_ms: 77550\n end_ms: 80290\n- text: But I'm past all of that, it's time to break with the breeze\n start_ms: 80290\n end_ms: 82540\n- text: Get to your knees—here come the Supa Emcees!\"\n start_ms: 82540\n end_ms: 85740\n- text: Hey, whatever happened to the MCs\n start_ms: 85740\n end_ms: 88090\n- text: Times done changed for the MCs\n start_ms: 88090\n end_ms: 90690\n- text: Every woman and man wanna MC\n start_ms: 90690\n end_ms: 93150\n- text: But for what, I tell you MC-ing ain't for you!\n start_ms: 93150\n end_ms: 95940\n- text: Whatever happened to the MCs\n start_ms: 95940\n end_ms: 98710\n- text: Times done changed for the MCs\n start_ms: 98710\n end_ms: 101230\n- text: Every woman and man wanna MC\n start_ms: 101230\n end_ms: 103660\n- text: But for what, I tell you MC-ing ain't for you!\n start_ms: 103660\n end_ms: 105360\n- text: Let me hear you say we came through for them\n start_ms: 105360\n end_ms: 108550\n- text: C'mon (we came through for them)\n start_ms: 108550\n end_ms: 110700\n- text: Let me hear you say whine me up\n start_ms: 110700\n end_ms: 113060\n- text: Everybody (whine me up)\n start_ms: 113060\n end_ms: 116600\n- text: Let me hear you say we came through for them\n start_ms: 116600\n end_ms: 118900\n- text: C'mon (we came through for them)\n start_ms: 118900\n end_ms: 121060\n- text: Let me hear you say whine me up\n start_ms: 121060\n end_ms: 123690\n- text: Everybody (whine me up)\n start_ms: 123690\n end_ms: 126570\n- text: Within this program of rap, I'll eradicate the glitches\n start_ms: 126570\n end_ms: 129520\n- text: Yo, I'm dark like Wesley, but I be sparkin' more bitches\n start_ms: 129520\n end_ms: 132120\n- text: Enterin' my constellation puts your lives in jeopardy\n start_ms: 132120\n end_ms: 135180\n- text: While you others represent, I present my rep\n start_ms: 135180\n end_ms: 137360\n- text: Cause when it comes to makin' dents, I'm that main imprint\n start_ms: 137360\n end_ms: 140040\n- text: Even smoked from blunts that give eyes the reddish tint\n start_ms: 140040\n end_ms: 142860\n- text: Could not prevent you from seein' I'm the light\n start_ms: 142860\n end_ms: 145210\n- text: But bring attention to my words like some ass in tights\n start_ms: 145210\n end_ms: 147770\n- text: I heard you wanna fight me with your words on stage\n start_ms: 147770\n end_ms: 150480\n- text: So Mase pulls that instrumental from the jam you made\n start_ms: 150480\n end_ms: 153060\n- text: And as he starts cuttin' what you sold, I'll talk all over your tones\n start_ms: 153060\n end_ms: 156160\n- text: As if my name was Pete Rock or Sean 'Puffy' Combs\n start_ms: 156160\n end_ms: 158440\n- text: Send your tattered ass home, with celly phones I roam\n start_ms: 158440\n end_ms: 160940\n- text: With my fleet, here to make this rap game complete\n start_ms: 160940\n end_ms: 163810\n- text: While you live fables, unstable, actin' very radical\n start_ms: 163810\n end_ms: 166490\n- text: Projectin' like you're hard, when in fact you're quite vaginal!\n start_ms: 166490\n end_ms: 169350\n- text: Whatever happened to the MCs\n start_ms: 169350\n end_ms: 171900\n- text: Times done changed for the MCs\n start_ms: 171900\n end_ms: 174230\n- text: Every woman and man wanna MC\n start_ms: 174230\n end_ms: 176490\n- text: But for what, I tell you MC-ing ain't for you!\n start_ms: 176490\n end_ms: 179420\n- text: Hey, whatever happened to the MCs\n start_ms: 179420\n end_ms: 181960\n- text: Times done changed for the MCs\n start_ms: 181960\n end_ms: 184550\n- text: Every woman and man wanna MC\n start_ms: 184550\n end_ms: 187070\n- text: But for what, I tell you MC-ing ain't for you!\n start_ms: 187070\n end_ms: 188720\n- text: ''\n start_ms: 188720\nplain: |-\n Hey, whatever happened to the MCs\n Times done changed for the MCs\n Every woman and man wanna MC\n But for what, I tell you MC-ing ain't for you!\n\n Hey, whatever happened to the MCs\n Times done changed for the MCs\n Every woman and man wanna MC\n But for what, I tell you MC-ing ain't for you!\n\n Man, I'm on the set like the flicks, so let your cameras flash\n A splash bigger than whales, I'm makin' monsters mash\n Spit Pinocchio's Theory when shit be lookin' weary\n I need rest, but I boogie for now, I'm on some mess\n\n Like the best, mics respond to me\n Livin' days like dreams of specializin' in the art that pays\n I be a mystic for life, so check my ID number\n Emcees be needin' dough while I make bread like Wonder\n\n Yes, that's what you heard, so save that actin' for the screen\n See, you can-can that madness with the beans\n I bust emcees like lies, surprise 'em out the box\n Put away the soda pops, I'd rather rum on the rocks\n\n A dime-getter tried to get what I got—for what?\n I guess other folks' cash makes the lovin' come phat\n But I'm past all of that, it's time to break with the breeze\n Get to your knees—here come the Supa Emcees!\"\n\n Hey, whatever happened to the MCs\n Times done changed for the MCs\n Every woman and man wanna MC\n But for what, I tell you MC-ing ain't for you!\n\n Whatever happened to the MCs\n Times done changed for the MCs\n Every woman and man wanna MC\n But for what, I tell you MC-ing ain't for you!\n\n Let me hear you say we came through for them\n C'mon (we came through for them)\n Let me hear you say whine me up\n Everybody (whine me up)\n\n Let me hear you say we came through for them\n C'mon (we came through for them)\n Let me hear you say whine me up\n Everybody (whine me up)\n\n Within this program of rap, I'll eradicate the glitches\n Yo, I'm dark like Wesley, but I be sparkin' more bitches\n Enterin' my constellation puts your lives in jeopardy\n While you others represent, I present my rep\n\n Cause when it comes to makin' dents, I'm that main imprint\n Even smoked from blunts that give eyes the reddish tint\n Could not prevent you from seein' I'm the light\n But bring attention to my words like some ass in tights\n\n I heard you wanna fight me with your words on stage\n So Mase pulls that instrumental from the jam you made\n And as he starts cuttin' what you sold, I'll talk all over your tones\n As if my name was Pete Rock or Sean 'Puffy' Combs\n\n Send your tattered ass home, with celly phones I roam\n With my fleet, here to make this rap game complete\n While you live fables, unstable, actin' very radical\n Projectin' like you're hard, when in fact you're quite vaginal!\n\n Whatever happened to the MCs\n Times done changed for the MCs\n Every woman and man wanna MC\n But for what, I tell you MC-ing ain't for you!\n\n Hey, whatever happened to the MCs\n Times done changed for the MCs\n Every woman and man wanna MC\n But for what, I tell you MC-ing ain't for you!\n"},{"id":36389097,"name":"Supa Emcees (Live Version)","trackName":"Supa Emcees (Live Version)","artistName":"De La Soul","albumName":"Live At Tramps, NYC, 1996 (Live Version)","duration":189.0,"instrumental":false,"hasWordSync":false,"plainLyrics":"Hey, whatever happened to the MCs\nTimes done changed for the MCs\nEvery woman and man wanna MC\nBut for what, I tell you MC-ing ain't for you!\n\nHey, whatever happened to the MCs\nTimes done changed for the MCs\nEvery woman and man wanna MC\nBut for what, I tell you MC-ing ain't for you!\n\nMan, I'm on the set like the flicks, so let your cameras flash\nA splash bigger than whales, I'm makin' monsters mash\nSpit Pinocchio's Theory when shit be lookin' weary\nI need rest, but I boogie for now, I'm on some mess\n\nLike the best, mics respond to me\nLivin' days like dreams of specializin' in the art that pays\nI be a mystic for life, so check my ID number\nEmcees be needin' dough while I make bread like Wonder\n\nYes, that's what you heard, so save that actin' for the screen\nSee, you can-can that madness with the beans\nI bust emcees like lies, surprise 'em out the box\nPut away the soda pops, I'd rather rum on the rocks\n\nA dime-getter tried to get what I got—for what?\nI guess other folks' cash makes the lovin' come phat\nBut I'm past all of that, it's time to break with the breeze\nGet to your knees—here come the Supa Emcees!\"\n\nHey, whatever happened to the MCs\nTimes done changed for the MCs\nEvery woman and man wanna MC\nBut for what, I tell you MC-ing ain't for you!\n\nWhatever happened to the MCs\nTimes done changed for the MCs\nEvery woman and man wanna MC\nBut for what, I tell you MC-ing ain't for you!\n\nLet me hear you say we came through for them\nC'mon (we came through for them)\nLet me hear you say whine me up\nEverybody (whine me up)\n\nLet me hear you say we came through for them\nC'mon (we came through for them)\nLet me hear you say whine me up\nEverybody (whine me up)\n\nWithin this program of rap, I'll eradicate the glitches\nYo, I'm dark like Wesley, but I be sparkin' more bitches\nEnterin' my constellation puts your lives in jeopardy\nWhile you others represent, I present my rep\n\nCause when it comes to makin' dents, I'm that main imprint\nEven smoked from blunts that give eyes the reddish tint\nCould not prevent you from seein' I'm the light\nBut bring attention to my words like some ass in tights\n\nI heard you wanna fight me with your words on stage\nSo Mase pulls that instrumental from the jam you made\nAnd as he starts cuttin' what you sold, I'll talk all over your tones\nAs if my name was Pete Rock or Sean 'Puffy' Combs\n\nSend your tattered ass home, with celly phones I roam\nWith my fleet, here to make this rap game complete\nWhile you live fables, unstable, actin' very radical\nProjectin' like you're hard, when in fact you're quite vaginal!\n\nWhatever happened to the MCs\nTimes done changed for the MCs\nEvery woman and man wanna MC\nBut for what, I tell you MC-ing ain't for you!\n\nHey, whatever happened to the MCs\nTimes done changed for the MCs\nEvery woman and man wanna MC\nBut for what, I tell you MC-ing ain't for you!","syncedLyrics":"[00:23.71] Hey, whatever happened to the MCs\n[00:25.63] Times done changed for the MCs\n[00:27.73] Every woman and man wanna MC\n[00:29.94] But for what, I tell you MC-ing ain't for you!\n[00:33.61] Hey, whatever happened to the MCs\n[00:36.14] Times done changed for the MCs\n[00:38.49] Every woman and man wanna MC\n[00:41.01] But for what, I tell you MC-ing ain't for you!\n[00:44.09] Man, I'm on the set like the flicks, so let your cameras flash\n[00:46.19] A splash bigger than whales, I'm makin' monsters mash\n[00:48.86] Spit Pinocchio's Theory when shit be lookin' weary\n[00:51.75] I need rest, but I boogie for now, I'm on some mess\n[00:54.50] Like the best, mics respond to me\n[00:56.24] Livin' days like dreams of specializin' in the art that pays\n[00:59.31] I be a mystic for life, so check my ID number\n[01:02.39] Emcees be needin' dough while I make bread like Wonder\n[01:04.46] Yes, that's what you heard, so save that actin' for the screen\n[01:07.32] See, you can-can that madness with the beans\n[01:09.53] I bust emcees like lies, surprise 'em out the box\n[01:12.55] Put away the soda pops, I'd rather rum on the rocks\n[01:15.09] A dime-getter tried to get what I got—for what?\n[01:17.55] I guess other folks' cash makes the lovin' come phat\n[01:20.29] But I'm past all of that, it's time to break with the breeze\n[01:22.54] Get to your knees—here come the Supa Emcees!\"\n[01:25.74] Hey, whatever happened to the MCs\n[01:28.09] Times done changed for the MCs\n[01:30.69] Every woman and man wanna MC\n[01:33.15] But for what, I tell you MC-ing ain't for you!\n[01:35.94] Whatever happened to the MCs\n[01:38.71] Times done changed for the MCs\n[01:41.23] Every woman and man wanna MC\n[01:43.66] But for what, I tell you MC-ing ain't for you!\n[01:45.36] Let me hear you say we came through for them\n[01:48.55] C'mon (we came through for them)\n[01:50.70] Let me hear you say whine me up\n[01:53.06] Everybody (whine me up)\n[01:56.60] Let me hear you say we came through for them\n[01:58.90] C'mon (we came through for them)\n[02:01.06] Let me hear you say whine me up\n[02:03.69] Everybody (whine me up)\n[02:06.57] Within this program of rap, I'll eradicate the glitches\n[02:09.52] Yo, I'm dark like Wesley, but I be sparkin' more bitches\n[02:12.12] Enterin' my constellation puts your lives in jeopardy\n[02:15.18] While you others represent, I present my rep\n[02:17.36] Cause when it comes to makin' dents, I'm that main imprint\n[02:20.04] Even smoked from blunts that give eyes the reddish tint\n[02:22.86] Could not prevent you from seein' I'm the light\n[02:25.21] But bring attention to my words like some ass in tights\n[02:27.77] I heard you wanna fight me with your words on stage\n[02:30.48] So Mase pulls that instrumental from the jam you made\n[02:33.06] And as he starts cuttin' what you sold, I'll talk all over your tones\n[02:36.16] As if my name was Pete Rock or Sean 'Puffy' Combs\n[02:38.44] Send your tattered ass home, with celly phones I roam\n[02:40.94] With my fleet, here to make this rap game complete\n[02:43.81] While you live fables, unstable, actin' very radical\n[02:46.49] Projectin' like you're hard, when in fact you're quite vaginal!\n[02:49.35] Whatever happened to the MCs\n[02:51.90] Times done changed for the MCs\n[02:54.23] Every woman and man wanna MC\n[02:56.49] But for what, I tell you MC-ing ain't for you!\n[02:59.42] Hey, whatever happened to the MCs\n[03:01.96] Times done changed for the MCs\n[03:04.55] Every woman and man wanna MC\n[03:07.07] But for what, I tell you MC-ing ain't for you!\n[03:08.72] ","lyricsfile":"version: '1.0'\nmetadata:\n title: Supa Emcees (Live Version)\n artist: De La Soul\n album: Live At Tramps, NYC, 1996 (Live Version)\n duration_ms: 189000\n instrumental: false\nlines:\n- text: Hey, whatever happened to the MCs\n start_ms: 23710\n end_ms: 25630\n- text: Times done changed for the MCs\n start_ms: 25630\n end_ms: 27730\n- text: Every woman and man wanna MC\n start_ms: 27730\n end_ms: 29940\n- text: But for what, I tell you MC-ing ain't for you!\n start_ms: 29940\n end_ms: 33610\n- text: Hey, whatever happened to the MCs\n start_ms: 33610\n end_ms: 36140\n- text: Times done changed for the MCs\n start_ms: 36140\n end_ms: 38490\n- text: Every woman and man wanna MC\n start_ms: 38490\n end_ms: 41010\n- text: But for what, I tell you MC-ing ain't for you!\n start_ms: 41010\n end_ms: 44090\n- text: Man, I'm on the set like the flicks, so let your cameras flash\n start_ms: 44090\n end_ms: 46190\n- text: A splash bigger than whales, I'm makin' monsters mash\n start_ms: 46190\n end_ms: 48860\n- text: Spit Pinocchio's Theory when shit be lookin' weary\n start_ms: 48860\n end_ms: 51750\n- text: I need rest, but I boogie for now, I'm on some mess\n start_ms: 51750\n end_ms: 54500\n- text: Like the best, mics respond to me\n start_ms: 54500\n end_ms: 56240\n- text: Livin' days like dreams of specializin' in the art that pays\n start_ms: 56240\n end_ms: 59310\n- text: I be a mystic for life, so check my ID number\n start_ms: 59310\n end_ms: 62390\n- text: Emcees be needin' dough while I make bread like Wonder\n start_ms: 62390\n end_ms: 64460\n- text: Yes, that's what you heard, so save that actin' for the screen\n start_ms: 64460\n end_ms: 67320\n- text: See, you can-can that madness with the beans\n start_ms: 67320\n end_ms: 69530\n- text: I bust emcees like lies, surprise 'em out the box\n start_ms: 69530\n end_ms: 72550\n- text: Put away the soda pops, I'd rather rum on the rocks\n start_ms: 72550\n end_ms: 75090\n- text: A dime-getter tried to get what I got—for what?\n start_ms: 75090\n end_ms: 77550\n- text: I guess other folks' cash makes the lovin' come phat\n start_ms: 77550\n end_ms: 80290\n- text: But I'm past all of that, it's time to break with the breeze\n start_ms: 80290\n end_ms: 82540\n- text: Get to your knees—here come the Supa Emcees!\"\n start_ms: 82540\n end_ms: 85740\n- text: Hey, whatever happened to the MCs\n start_ms: 85740\n end_ms: 88090\n- text: Times done changed for the MCs\n start_ms: 88090\n end_ms: 90690\n- text: Every woman and man wanna MC\n start_ms: 90690\n end_ms: 93150\n- text: But for what, I tell you MC-ing ain't for you!\n start_ms: 93150\n end_ms: 95940\n- text: Whatever happened to the MCs\n start_ms: 95940\n end_ms: 98710\n- text: Times done changed for the MCs\n start_ms: 98710\n end_ms: 101230\n- text: Every woman and man wanna MC\n start_ms: 101230\n end_ms: 103660\n- text: But for what, I tell you MC-ing ain't for you!\n start_ms: 103660\n end_ms: 105360\n- text: Let me hear you say we came through for them\n start_ms: 105360\n end_ms: 108550\n- text: C'mon (we came through for them)\n start_ms: 108550\n end_ms: 110700\n- text: Let me hear you say whine me up\n start_ms: 110700\n end_ms: 113060\n- text: Everybody (whine me up)\n start_ms: 113060\n end_ms: 116600\n- text: Let me hear you say we came through for them\n start_ms: 116600\n end_ms: 118900\n- text: C'mon (we came through for them)\n start_ms: 118900\n end_ms: 121060\n- text: Let me hear you say whine me up\n start_ms: 121060\n end_ms: 123690\n- text: Everybody (whine me up)\n start_ms: 123690\n end_ms: 126570\n- text: Within this program of rap, I'll eradicate the glitches\n start_ms: 126570\n end_ms: 129520\n- text: Yo, I'm dark like Wesley, but I be sparkin' more bitches\n start_ms: 129520\n end_ms: 132120\n- text: Enterin' my constellation puts your lives in jeopardy\n start_ms: 132120\n end_ms: 135180\n- text: While you others represent, I present my rep\n start_ms: 135180\n end_ms: 137360\n- text: Cause when it comes to makin' dents, I'm that main imprint\n start_ms: 137360\n end_ms: 140040\n- text: Even smoked from blunts that give eyes the reddish tint\n start_ms: 140040\n end_ms: 142860\n- text: Could not prevent you from seein' I'm the light\n start_ms: 142860\n end_ms: 145210\n- text: But bring attention to my words like some ass in tights\n start_ms: 145210\n end_ms: 147770\n- text: I heard you wanna fight me with your words on stage\n start_ms: 147770\n end_ms: 150480\n- text: So Mase pulls that instrumental from the jam you made\n start_ms: 150480\n end_ms: 153060\n- text: And as he starts cuttin' what you sold, I'll talk all over your tones\n start_ms: 153060\n end_ms: 156160\n- text: As if my name was Pete Rock or Sean 'Puffy' Combs\n start_ms: 156160\n end_ms: 158440\n- text: Send your tattered ass home, with celly phones I roam\n start_ms: 158440\n end_ms: 160940\n- text: With my fleet, here to make this rap game complete\n start_ms: 160940\n end_ms: 163810\n- text: While you live fables, unstable, actin' very radical\n start_ms: 163810\n end_ms: 166490\n- text: Projectin' like you're hard, when in fact you're quite vaginal!\n start_ms: 166490\n end_ms: 169350\n- text: Whatever happened to the MCs\n start_ms: 169350\n end_ms: 171900\n- text: Times done changed for the MCs\n start_ms: 171900\n end_ms: 174230\n- text: Every woman and man wanna MC\n start_ms: 174230\n end_ms: 176490\n- text: But for what, I tell you MC-ing ain't for you!\n start_ms: 176490\n end_ms: 179420\n- text: Hey, whatever happened to the MCs\n start_ms: 179420\n end_ms: 181960\n- text: Times done changed for the MCs\n start_ms: 181960\n end_ms: 184550\n- text: Every woman and man wanna MC\n start_ms: 184550\n end_ms: 187070\n- text: But for what, I tell you MC-ing ain't for you!\n start_ms: 187070\n end_ms: 188720\n- text: ''\n start_ms: 188720\nplain: |-\n Hey, whatever happened to the MCs\n Times done changed for the MCs\n Every woman and man wanna MC\n But for what, I tell you MC-ing ain't for you!\n\n Hey, whatever happened to the MCs\n Times done changed for the MCs\n Every woman and man wanna MC\n But for what, I tell you MC-ing ain't for you!\n\n Man, I'm on the set like the flicks, so let your cameras flash\n A splash bigger than whales, I'm makin' monsters mash\n Spit Pinocchio's Theory when shit be lookin' weary\n I need rest, but I boogie for now, I'm on some mess\n\n Like the best, mics respond to me\n Livin' days like dreams of specializin' in the art that pays\n I be a mystic for life, so check my ID number\n Emcees be needin' dough while I make bread like Wonder\n\n Yes, that's what you heard, so save that actin' for the screen\n See, you can-can that madness with the beans\n I bust emcees like lies, surprise 'em out the box\n Put away the soda pops, I'd rather rum on the rocks\n\n A dime-getter tried to get what I got—for what?\n I guess other folks' cash makes the lovin' come phat\n But I'm past all of that, it's time to break with the breeze\n Get to your knees—here come the Supa Emcees!\"\n\n Hey, whatever happened to the MCs\n Times done changed for the MCs\n Every woman and man wanna MC\n But for what, I tell you MC-ing ain't for you!\n\n Whatever happened to the MCs\n Times done changed for the MCs\n Every woman and man wanna MC\n But for what, I tell you MC-ing ain't for you!\n\n Let me hear you say we came through for them\n C'mon (we came through for them)\n Let me hear you say whine me up\n Everybody (whine me up)\n\n Let me hear you say we came through for them\n C'mon (we came through for them)\n Let me hear you say whine me up\n Everybody (whine me up)\n\n Within this program of rap, I'll eradicate the glitches\n Yo, I'm dark like Wesley, but I be sparkin' more bitches\n Enterin' my constellation puts your lives in jeopardy\n While you others represent, I present my rep\n\n Cause when it comes to makin' dents, I'm that main imprint\n Even smoked from blunts that give eyes the reddish tint\n Could not prevent you from seein' I'm the light\n But bring attention to my words like some ass in tights\n\n I heard you wanna fight me with your words on stage\n So Mase pulls that instrumental from the jam you made\n And as he starts cuttin' what you sold, I'll talk all over your tones\n As if my name was Pete Rock or Sean 'Puffy' Combs\n\n Send your tattered ass home, with celly phones I roam\n With my fleet, here to make this rap game complete\n While you live fables, unstable, actin' very radical\n Projectin' like you're hard, when in fact you're quite vaginal!\n\n Whatever happened to the MCs\n Times done changed for the MCs\n Every woman and man wanna MC\n But for what, I tell you MC-ing ain't for you!\n\n Hey, whatever happened to the MCs\n Times done changed for the MCs\n Every woman and man wanna MC\n But for what, I tell you MC-ing ain't for you!\n"}]